Agency Archive of Civilians Shot

Friday, January 6, 2012

A Veteran Helicopter



GIANNA VOLPE PHOTO | The Flying Tigers were one of the first Marine Corps helicopter squadrons to be sent to Vietnam in 1963. The Flying Tigers are the second most decorated helicopter squadron in the United States Marine Corps, as well as the third oldest squadron.

She’s an actual piece of American history and for the time being, she’s airborne.

The “Gracious Lady” Bev, a Marine Corps (Sikorsky) UH-34D helicopter that saw three tours in the Vietnam War is currently being stored in a potato barn in Jamesport for winter.

video

She functioned mainly as a medevac helicopter and according to Neil Dembinski, a member of the charitable organization that cares for her, saved countless Marine lives.

He said the Marine Corps Aviation Museum wants the historic bird badly, but the organization is hoping donations will keep her airborne so the public can continue to see, touch, and learn about her, the Vietnam War, and the military in general.

“We don’t want to see her in a museum,” Mr. Dembinski said.

You can find out more information about this aircraft or make a donation to the Helicopter Squadron 361 Veterans Association, Inc., by visiting here.

The Gracious Lady will be viewable from the South side of Main Road in Jamesport in mid April or May, weather permitting.

Jeff Fabb: From Mattituck Drummer to Opening for Ozzy

Jeff Fabb with his first music teacher, Mark LaRosa

Mattituck native Jeff Fabb is a drummer who went from playing the school variety show in junior high to opening for legends like Ozzy Osbourne, Rob Zombie and Megadeth with the chick-fronted metal band In This Moment.

Mr. Fabb is currently drumming for “American Idol” alumnus James Durbin, who released his first album, “Memories of a Beautiful Disaster,” on Nov. 21. The album found its way to No. 36 on the Billboard 200 chart the first week it was released.

We caught up with Jeff for an interview while he was home for the holidays.

Q. Did you ever imagine you’d get to where you are now when you were growing up in Mattituck?

A. Honestly, I always envisioned it in my head. Every night I would go to sleep as a kid and I’d put my headphones on and be listening to Metallica or something and really seriously envision playing on stage. Maybe this girl who I had a crush on at the time would be watching me from the audience, you know what I mean — just dreaming about it. I would like to say I always knew I was going to do this, but not really. It’s just what I loved more than anything in my life. I didn’t grow up playing sports. I was a skateboarder. I played music. I grew up with a single mom and didn’t have a father figure in my life. I wasn’t really turned on to sports and things like that.

Q: How did you get into playing the drums?

A. At 11, I started taking drum lessons from Mark LaRosa, who my family knew because I think my sister had taken lessons from him. I’m not sure, but when I met him I felt that connection. It was like, “Oh I can relate to this guy. He loves music, too, and he wants to sit and jam.”

I continued getting lessons from Mark for seven or eight years, a little before I left for California. He made it really fun to get lessons and really, that was the first person I ever played music with. I’d never sat down with another musician and just played.

That was priceless. I learned more from that than reading from a book.

Q. What was your first gig?

A. The variety show at Mattituck High School, which was a pretty cool first gig because the whole auditorium was packed. I was in seventh or eighth grade and it was with Alternate Exit. We played “Knockin’ on Heaven’s Door,” Guns n’ Roses’ version, and “Enter Sandman,” Metallica. It was cool, too, because those two songs were just out, so everyone knew them. That was a really awesome first gig, actually. The place was packed with parents and kids. It was fun.

Q. Did you play in the high school band?

A. No, I never played in the band. I played in rock bands. I played in Alternate Exit, Delirium Tremens and I was in a band called TripFace, too, a Long Island hardcore band.

Q. How did you meet James Durbin and why do you think you and Blake [Bunzel, rhythm guitarist for In This Moment] were chosen for the spot?

A. I was in the band In This Moment at the time. Our previous manager, [Ozzy Osbourne/ex-Rob Zombie bassist] Blasko, was no longer with the band. He and I are friends. One day when In This Moment was not touring, I was in Jersey City recording with a friend of mine, Tommy Vext. Blake was also there with me. I received a call from Blasko saying, “I know that this guy James Durbin is looking for a drummer and a guitar player for this band. Would you be interested in trying out?” And immediately I was like, “Who’s James Durbin?” I don’t really watch “American Idol” or any of those shows. I don’t really watch much TV at all to be totally honest with you.

Q. What is your advice to a young band?

A. In This Moment got started on Myspace. We put a demo out there and started adding friends. When I was younger, I wish I had YouTube and Facebook. You can get things out to the masses now through the Internet, instead of “I’ve got to move to L.A. to meet some other musicians.”

Q. You filled out a survey in 2007 that said, “When I look back on my life one day, I would like to be able to say …” and you wrote, “That I fulfilled all of my goals.” What are your goals at this point?

A. To be at peace with myself and to be grateful for the things that I have.

Friday, December 30, 2011

First story I pitched @ Suffolk Times; it went something like:

Local booksellers hope to ride the ‘niche’ wave


Ms. Mott at Antiques and Old Lace in Cutchogue, New York shows three rarer finds from her collection

by Gianna volpe

The book market is in flux; it doesn’t take a bibliophile to notice it. Change is afoot, but some local booksellers hope those same changes will give business a boost — rather than be an element in their demise.In September, the death throes of the nation’s second biggest bookstore, Borders Group Inc., were witnessed locally when the Riverhead Borders closed its doors months after the giant filed for bankruptcy.

Librarian Ned Smith at Suffolk County Historical Society in Riverhead said, “Most of the book dealers that used to have shops have gone out of business or just do online business now” because “the availability of online books has made it difficult to compete.”

Borders Group Inc. formed a partnership with online seller Amazon.com in 2001 to help drive Internet sales. Borders ended that partnership in 2008 and began competing directly with Amazon. But it was too late. Ultimately, the paper book giant failed.

Amazon, whose company profile on crunchbase.com calls it “one of the most trafficked Internet retail destinations worldwide,” now offers a “Price Check” app that allows people to scan books at a physical book shop using a smartphone, then search for the cheapest price available if they order through the Amazon website.

Kim Gavin of Portland, Ore., who runs the “Occupy Amazon” Facebook page, calls the app “a blatant stab at brick and mortar retail establishments.”

Republican Senator Olympia Snowe of Maine made a statement two weeks ago, calling the app “an attack on small businesses fighting every day to compete with giant retailers.” She said “incentivizing consumers to spy on local shops is a bridge too far.”

Last month, Amazon released the Kindle Fire, the latest in tablet technology allowing consumers to download and read books electronically. The Fire is currently listed as the “No. 1 most-gifted product” on the online store’s website.

These trends don’t seem to scare some East End antique book dealers.

David Hewitt, who was a Southold history teacher for over 30 years and just opened the On Track bookstore on Youngs Avenue in Southold, said the Kindle has “absolutely” affected physical bookstores.

“Although I personally do take credit for putting Borders out of business,” Mr. Hewitt joked in a recent interview.

He insists Borders failed because it did not adapt to new ways books were being made available to the public. The Kindle’s popularity, he said, is because the product “fits the lifestyle of a lot of people today. That is, not having stuff.”

Michael Kinsey, co-owner of Black Cat Books on Shelter Island, said people use tablet technology for “content” reading and shop at stores for interest-area needs and desires. Lawyers might research law on their Kindles, he explains, but “they still like the old leather-bound law books” to display in their home or office. This niche, he said, is what makes antique book businesses viable while new bookstores continue to close.

“You can read ‘The Old Man and the Sea’ on a Kindle but a signed [copy] is still a collectible,” he said.

Mr. Kinsey thinks as the cost of publishing a physical book rises, and electronic publishing becomes more and more popular, physical books will continue to be published, but in “limited batches … the way they still release vinyl, but most people download.”

Gene Mott, co-owner of Antiques & Old Lace on Main Road in Cutchogue, agreed that, based on the trend, peddling physical books is a good investment. “With everything going electronic, I would think books are going to become rarer and rarer,” he said.

With Borders’ recent closing, Mr. Mott said, “There’s going to be us diehards that want a piece of paper to read from.”

His wife, Patricia, the reason the couple peddles books, couldn’t agree more. Her passion for the printed word means carrying an item that some antique dealers don’t, “because [books] take up too much room and there’s not much return,” she said. “But it’s always been my love … the first time I rode my bike to the library [in Coram], I couldn’t believe I had access to so many books.”

Ms. Mott is responsible for each of the estimated 5,000 books for sale at the shop — most of them classics and history books. She buys them from tag and estate sales and when the couple buys an entire estate, she said, they go through every single book.

“Sometimes it takes days,” she said.

Ms. Mott said it’s very difficult to make a living by just selling books, which is certainly not the case at Antiques & Old Lace.

Antique dealer Peter Stevens, on the other hand, sells books exclusively. Owner of The Book Scout in Greenport for 31 years — 26 of them at its current Main Street location — Mr. Stevens said he hand-selected every book on his shelves, just like Ms. Mott.

“The cookbooks are in the freezer,” he said. And he’s not kidding. The cookbooks he sells are lined up in an old, unplugged store freezer. The name of his store describes his occupation, someone who “goes out and looks for books.” But an increase in other book scouts has made this task more difficult, he said.

“I used to buy and sell art books by the carton,” he said, but with more people out searching for books, “there’s fewer good books available.” Selling has also become more difficult, he added, because of a grim economic climate and the “advent of listing books on the Internet.”

When the market is flooded with copies of a book, sellers have to price the product competitively. Mr. Stevens said a man came in to sell him a nautical book, a popular topic for shoppers in a port town. He looked the title up online and found that the book was being marketed for 19 cents.

“People who sell a book for 19 cents make about 65 cents on shipping and handling,” he said, “You’d better be a large group with a big crew to sell a book for 19 cents.”

Mr. Stevens says he uses the Internet to sell a book only “if I have a valuable book and no customer for it.”

But he finds it discouraging to post books on sites like Amazon when 100 copies of the same book are already listed.

“Would you want to be number 101 on that list?” he asked.


Monday, September 19, 2011

Across the pond; April 2011

Taken at Macari Vineyards in Mattituck, NY.

Saturday, December 11, 2010

Slowing Down from a Soldier to a Park Ranger



This is my thirty-day project about Sergeant Devin Foust, a Park Ranger in Columbia, Missouri who has had to slow down from the high-adrenaline lifestyle that was being a soldier in Iraq in 2004. During his transition period back in the states, he broke his leg on a four-wheeler in Kentucky, which pained him for 5 years after the incident. He met with a surgeon for corrective surgery and has been working on getting his leg back into shape in order to pursue a career with the Missouri Highway Patrol. This is the edit that I have from our class, but I plan to work on this project more in the future and possibly make it into a thirty minute documentary.

Bird by Bird: Final reading thoughts

I would like to say, as I begin, that this book has been the most incredible gift as both a writer and a photographer that I've yet been given.

It's an amazing instruction manual concerning doing -anything- and I am very thankful to have read it this year.

I loved Anne's chapter about "How do you know when you're done." I've always had the feeling that I've never finished anything and it's because I am always left with that anxious feeling where I'm just driving myself insane, particularly with my writing pieces. I know exactly the moment that she is talking about that she describes as the moment where one is actually finished. Now I'll know, once and for all, when I'm actually done with something.

I plan to spend my time in this upcoming year (after I graduate next week) working on everything that I've produced in college and getting them to this stage. I am looking forward to getting much of what I've worked on to the point where I can feel that they are finished, where I can put them down and think to myself that this script or that multimedia piece are what I've never been able to let myself say they were: finished.

I loved the chapter about KFKD and it was incredibly therapeutic for me. I have this radio station on in my head all the time and reading about it has helped me to become much more aware of when it's playing and more importantly, to tell myself that it's time to turn the dial down.

I saw a therapist this semester that helped me deal with my anxiety disorder by allowing myself to feel okay when I'm struggling with anxiety, to always be able to tell myself: Okay, what can I do -now-? This seems incredibly easy advice to give oneself, but it gave me a good script to tell myself when I'm having issues. It took someone else telling me that it's alright to take down the perfectionist bar that I've built for myself. Instead of building up so much anxiety about the fact that I haven't done something to the point that I never do said thing, I just gently tell myself: "Okay, well what can I do now?" and I get up and do it.

Reading about KFKD helped me to see, as did this entire novel that I am not broken, I am not a waste of space and I am not a failure- I'm just a perfectionist and that can be more of a hinderance than a help. I have this book and my therapist to thank for helping me to forgive myself for failure and move past it, to see myself for the person that I am and keep myself moving into the future by focusing on the now, rather than ignoring the present by obsessing over the future.

Bird by bird has filled me with the hope that I needed to move to the next step in my life. It showed me that I already have inside of me what it will take me to make it where I want to go as a writer, photographer, and most importantly, as a person. I just have to keep going and instead of losing faith, curling in a ball and worrying myself to death before I leave my bed, I just have to think:

What can I do -now-

If all that is is making breakfast, that's OKAY.

I can ask myself the same question once I've finished eating my breakfast burrito.

(Thank you Anne Lamott)

I am intensely excited about graduation and I'm not driving myself crazy about getting a job because that will not be happening next week, tomorrow, today, and most importantly right now.

I am focused on this entry and afterward, putting Bird by Bird in a box with all of the things that I plan to take with me after I move out my apartment because it's been the best gift that I've been given for my future. It's a book that although I've read through in its entirety, I plan to read again and again and again, whenever my thoughts dial back to station KFKD.

Thank you Rita, for everything that you've done for me, but especially for assigning us this book. I will keep it with me for as long as I live, especially because I am, first and foremost, a writer. It was on the list that my writing teacher gave to us last week about great books for writers. Honestly, it's a great book for everyone, anyone.

I will be continuing to work on my 30 day project after graduation, working on my technique as a film-maker, working on the extensive footage that I took of Sergeant Foust, on making it into a documentary. I'm really excited that I'll have the time to do this after graduation, that I'll have time, in general, especially to begin producing on my own terms.

Monday, November 29, 2010

CPOY Multimedia Reaction paper

I was at the larger story individual/small teams judging.

I thought the power plant story had beautiful footage that although beautiful, didn't make sense with the story. I was also unable to completely make the connection between the Vermont and Georgia power plants nor the use of portraiture by the creator(s). The piece went on a bit too long and tried to tackle too many characters without much purpose. I lost interest in the piece far before it had ended.

I liked the deepwater video (spilling over) better, though I felt like the mother figure was a bit melodramatic, which bothered me at first. (Much less the second time through)

The pregnancy piece confused me. It wasn't explained why the mother was giving up her son, nor why the adopting mother was able to breast-feed him. A miscarriage was very briefly mentioned, is this why she was able to do so?

"Open adoption," though the point of this piece, is not explained. I left the piece really not having much of an idea about what an open adoption is.

I thought the start-up piece was really quite good and I initially thought this should be the one to bring home the gold, though I agreed with Spilling over to get the gold once I'd seen it through for the second time. I am a bit disappointed that there was no underwater photography because though the one scene skimming over the water showed the oil inside, I was left a bit wanting. It fails to show how big of a disaster this really is.
I also was left wanting with the toxic fumes/respirator angle.
There is nothing in the piece that legitimizes or explains the dangers posed to residents by this disaster (outside of damage to the tourist and fishing industry)

The start-up piece appealed to me innately because it was hopeful.
It showed a father doing what he could to combat issues presented by the recession.
I like that. It's more often in these projects that we see people in idle anguish, rather than in the combative struggle.
I honestly didn't feel the same way about the woman in spilling over.
The judges were moved by her; I wasn't. I felt like she was more of a fraud than a fighter.
The epilogues where they say that she's been going out daily to help in the effort, but it just shows her standing on the front of a hovercraft, which didn't help much.

And honestly, the first time around, I was lost during the scene where she was yelling at the politician. I wasn't taken and "there with her" as the judges were.
The second time around, I felt more in tune with that read of the project, especially noticing the man's body language. I attribute this to my lack of knowledge on the subject at hand, but feel that this is a failure of the piece as a venue for education on the subject in the same way as the open adoption piece.